These images initially appear to represent a romantic idea of beauty and an equivalence between the fertility of the female body and the landscape. Yet in the era of ‘Me Too’ and ecological crisis, Waters’ work ofers a critical feminine gaze. Her portraits allude to the conundrum of simply being in a woman’s skin: of how to express physical agency and ease in a society that constantly objectifies women and irrevocably wreaks damage on the environment. These are images that convey complex emotions: the interplay of darkness and luminosity, strength and vulnerability, and the possibility for new understandings based on an awareness of our dependence on the earth.
An ecological concern also finds expression in Waters’ underwater still life series which reference Northern Renaissance paintings in lighting and composition. Her underwater works feature live marine creatures amongst rocks, fruit and flowers to evoke other-worldly landscapes with a palpable feeling of space and slowed time. Waters representations of luxuriant, yet fragile beauty are a reminder of the imminent loss of whole species and ecosystems as a result of climate change.
Lilli’s work has been exhibited to much acclaim in Italy, Germany, Japan, the UK, the US and Australia. Her images have appeared in publications around the globe – including Vogue Living (Aus), Belle Magazine (Aus), Art Aesthetica (UK), Real Living Magazine (Aus), Austrian Living (Austria), Jane by the Grey Attic (Aus) and The Opera Magazine (Germany) as well as appeared in feature films, including Fifty Shades Darker and Fifty Shades Freed (USA). She has been a finalist in the Naked & Nude Art Prize (2021), Ravenswood Australian Women’s Art Prize (2021), Nillumbik Prize for Contemporary Art (2021), Fisher’s Ghost Art Award (2020), Beautiful Bizarre Art Prize (2020), Du Reitz Art Awards (2020), Percival Photographic Art Prize (2020), National Portrait Prize (2019), Australian Photography Awards (2018) and Art Aesthetica Art Award (2018).
Lilli is reprented by Curatorial & Co Gallery in NSW, Metro Gallery and Modern Times in VIC.